Symfony Profiler

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      * Re-using existing connection! (#0) with host intraneta.durangokoazoka.eus\n
      * Connected to intraneta.durangokoazoka.eus (165.227.132.48) port 443 (#0)\n
      > GET /api/public/v1/katalogoa/59/nabarmenduak/?lang=eu&sailkapena=13&num=6 HTTP/1.1\r\n
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      * Issue another request to this URL: 'https://intraneta.durangokoazoka.eus/api/public/v1/katalogoa/59/nabarmenduak?lang=eu&sailkapena=13&num=6'\n
      * Found bundle for host intraneta.durangokoazoka.eus: 0x56502d6ff6a0 [serially]\n
      * Can not multiplex, even if we wanted to!\n
      * Re-using existing connection! (#0) with host intraneta.durangokoazoka.eus\n
      * Connected to intraneta.durangokoazoka.eus (165.227.132.48) port 443 (#0)\n
      > GET /api/public/v1/katalogoa/59/nabarmenduak?lang=eu&sailkapena=13&num=6 HTTP/1.1\r\n
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      "izenburua" => "Nekropolia"
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      "urtea" => 2024
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      "deskribapenaEu" => "<div>Nobela autobiografiko paregabea da <em>Nekropolia</em>, XX. mendeko literaturaren maisulana. Eslovenieraz idatzia eta 1967an lehen aldiz argitaratua, 90eko hamarkadatik aurrera ezagutu zuen bigarren loraldi bat, italierara, frantsesera, ingelesera, alemanera, espainierara, katalanera eta finlandierara itzulia izan zenean. Liburu honekin, irakurlearen gogoa astintzen du Pahorrek, gerraren eta kontzentrazio-esparruen izugarrikeriak kontatuz, baina baita presoen elkartasuna eta gizatasuna agerian utziz ere. Bizirik atera denaren erru-sentimendua saihestu gabe, kontrara, bere gain hartuz, aurrera egiteko, irauteko, azken buruan bizitzeko irrika gailentzen zaio kontakizunari.<br><br></div>"
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      "deskribapenaEs" => "<div>Campo de concentración de Natzweiler-Struthof sobre los Vosgos. El hombre que acaba de llegar junto a un grupo de turistas una tarde de verano no es un visitante cualquiera: es un ex deportado que con la distancia de los años ha regresado al lugar donde fue encerrado. De pronto, frente al barracón y el alambre de espino transformados ahora en museo, el flujo de la memoria comienza a discurrir y los recuerdos afloran cargados de dolor y de emoción.Regresan el sufrimiento por el hambre y el frío, la humillación por los golpes y los insultos, la profunda pena por cuantos, los más, no sobrevivieron. Y como los fotogramas de una película, impresa en el cuerpo y en el alma, se descuelgan las infinitas vicisitudes que hablan de un horror que de ningún modo se puede explicar, pero que va unido a la solidaridad entre prisioneros, a una humanidad nunca del todo derrotada, a un deseo de vivir que incluso en circunstancias tan dramáticas nunca se pierde completamente.Escrito con un lenguaje crudo que no cede a la autocompasión, <em>Necrópolis </em>es un libro autobiográfico intenso y escalofriante. Y si Boris Pahor nos cuenta su experiencia para que la memoria no se pierda y la historia no haya sucedido en vano, lo que nos regala no es sólo el fiel testimonio de la atrocidad de los campos de concentración nazis, sino también un emocionante documento sobre la capacidad de resistencia y la generosidad del individuo.«<em>Necrópolis</em>, considerada desde hace décadas una de las obras maestras de la literatura del Holocausto, es un libro excepcional que logra combinar el absoluto del horror -siempre aquí y ahora, presente y ardiente, eterno ante Dios- con las complejidades de la historia, de la relatividad de las situaciones y de los límites de la inteligencia y la comprensión humanas» (Claudio Magris).«Un libro impactante, la visita a un campo de la muerte y el resurgimiento de imágenes intolerables descritas con una precisión deslumbrante y una excepcional agudeza de análisis» (<em>Le Monde</em>).«Más eficaz que una película, desgarradora y límpida como sólo un testimonio directo puede ser, <em>Necrópolis </em>es una obra maestra absoluta de la literatura del siglo XX. Debería enseñar a no dejar de sentir vergüenza delante de los campos de concentración. Delante de la indiferencia por el dolor de los otros. Delante de la incapacidad de respetar los derechos aun de quien no piensa como nosotros» (Alessandro Mezzena Lona,<em> Il Piccolo</em>). «No hay modo de evitar la mirada valiente y directa de Boris Pahor. Su nombre ha estado justamente relacionado con los de Primo Levi, lmre Kertész y Robert Antelme» (<em>Süddeutsche Zeitung</em>).</div>"
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